Sculptural forms referencing construction ceramics are installed within a shelving structure reminiscent of archival, storage, or commercial systems. The work draws on the history of brick and clay production at Wienerberg, a site closely tied to processes of industrialisation and their subsequent structural transformations.

On closer inspection, the installation reveals a constructed system defined by gaps, voids, and interruptions. Segmented structures, positioned side by side, encounter movements that are contained and directed, suggesting an underlying tension between separation, order, and flow.